I react on the situations that surround me and influence my pictorial process, creating a flexible and opened visual language that allow me the expressive confluence of the different types from emotional states. I understand painting like average the more spontaneous faithful and to try to register the intangible thing, to give it a guarantee of security by means of a lasting support.
The necessity to register those situations causes that the set of the work ends up taking the form of a visual diary, of a psychic self-portrait.
The surface becomes the seismograph that gathers the sensorial activity of those impulsive parameters. The sensations are canalized in various ways; immediacy, planning, determination, doubt, dense, fluid, different types from confronted feelings arise within a same plane, fruit of the moment at which the images are made.
They arise capriciously and my brain flow is in charge to give form them in an eddy of controlled chance. Painting of here and now. Date and place. Painting understood like event, the registry of an inevitable event.
Present as it unties of run over memory.
|
